The Rebels of Dharma Bums, Takin it to the Streets and New American Po

Rebels of Dharma Bums, Takin it to the Streets and New American Poetry You dont need a end to run away. All you have to know is what you are leaving behind. In the 1960s, young men and women in the United States, especially on the wolfram coast, made a mad dash away from almost 2 centuries of American tradition. They ran to so many unlike places that it would be impossible to interpolate about their aims and philosophies. What they had in common was the running itself. America was drowning in materialism. In A Coney Island of the Mind, Lawrence Ferlinghetti characterized the land of the free and the cornerstone of the brave as a concrete continent spaced with bland billboards illustrating imbecile illusions of felicitousness (New American Poetry, ed. Allen, p131). John Sinclair criticized a country that needed Eighty-seven different brands of toothpaste and Millions of junky automobiles (Takin it to the Streets, ed. Bloom, p303). After the novelty of cars and other produ cts wore off, some Americans began to feel that the tenseness on production was changing the character of the country. Economic prosperity had asleep(p) to Americas head, and in the scramble for profit idealism had been left behind. Kafka is quoted by Richard Brautigan in his novel Trout Fishing in America as having said that I like the Americans because they are healthy and optimistic. (Takin it to the Streets, p280) The new generation of Americans, however, was nowhere next optimistic about the future of their country. They saw the land of the free and the home of the brave degenerating into a production line of television sets and plastic gizmos. The press release of individuality was what many feared. In ... ...ad all the enthusiasm and all the rebelliousness. They were the ones who, accord to Ginsberg, howled on their knees in the subway and were dragged off the roof waving fork and manuscripts (p185). However, all their manuscripts said different things. Mainstream Am erica had two hundred historic period of tradition behind them, and in addition to that they had force of habit and a leader in the form of the United States government. The new generation had exclusively their conviction that a change must take place. But their passion and their flamboyance made people listen up. Works Cited Allen, Donald, ed. The New American Poetry. Berkeley, CA University of California Press, 1999. Bloom, Alexander and Breines, Wini. Takin it to the Streets. New York, NY Oxford University Press, 1995. Kerouac, Jack. The Dharma Bums. New York, NY Penguin Books, 1986.